Qualification: BA (Hons)
Course Length: 3 years (4 with professional training)
UCAS Code: W438
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Why Choose This Course

Our BA (Hons) Applied and Contemporary Theatre course is designed to train theatre makers of the future, who aspire to use theatre to build communities and influence social change. Applied theatre utilises drama to discover, learn and share the issues and themes that concern communities and spotlight social inequalities. This course engages with contemporary politics and not only asks how can we make theatre but also why we make theatre and what is it that we want to say through performance.

We are ranked 3rd in the UK for dance, drama and cinematics in The Times and Sunday Times Good University Guide 2024, and 5th in the UK for drama and dance in the Guardian University Guide 2024. We were shortlisted for University of the Year in The Times/Sunday Times Good University Guide 2023.

Declaration of criminal convictions

This is a regulated course that requires declaration of criminal convictions. Please visit our criminal convictions web page for more information.

 

Programme Structure

The academic year is divided into three teaching blocks, within the University of Surrey’s existing semester structure. The University operates a credit framework for all taught programmes based on a 15-credit tariff. All modules are either 15, 30, 45 or 60 credits.

The structure of our programmes follows clear educational aims that are tailored to each programme. These are all outlined in the programme specifications which include further details such as the learning outcomes.

 

What you will study

On our BA (Hons) Applied and Contemporary Theatre course, you will be taught by industry-leading professionals and will join a vibrant community of talented performers, theatre makers, creative practitioners, stage managers and technicians. Students embark on a journey that will equip them to devise, produce and direct theatre, work creatively in a range of settings such as prisons, youth centres and care homes, build industry contacts and become the next generation of performance artists/activists and creative entrepreneurs. As well as studying core skills in performing disciplines (voice, singing, movement, theatre making and music), course content includes but isn’t limited to:

  • Theatre for Social Change
  • Political Theatre
  • Contemporary Performance
  • Devised Theatre
  • Community Theatre
  • Theatre in education
  • Education and outreach programmes
  • Health and wellbeing organisations
  • Disability arts
  • Creative Ageing
  • Theatre studies
  • Collaborative large-scale ensemble performance in a traditional theatre setting
  • Professional development

Alongside their core studies, students are also offered opportunities to engage with the wider theatre sector. Field trips and visits from guest artists have previously included the Royal Albert Hall, London Bubble Theatre Company and theatre practitioner Indy Lee.

In Year Two, students undertake work placements where they gain professional experience within several innovative theatre/arts organisations. There is also a further optional Professional Training year between the second and final year of study. Work placement hosts have included but are not limited to Chickenshed, Peer Productions, Burnt Orange Theatre, Guildford Shakespeare Company, Boundless Theatre, New Victoria Theatre and Yvonne Arnaud Theatre

 

Modules

Modules listed are indicative, reflecting the information available at the time of publication. Please note that modules may be subject to teaching availability, student demand and/or class size caps.

Please note: If there is an optional Professional Training placement as part of your course you can view the full module listing for this on the relevant programme specification.


Year one

This module aims to develop the skill base of the creative practitioner in acting, singing, dance, music, movement and voice. Across Level 4 students will study practical skills in studio-based group classes.

Students will encounter and explore the application and integration of core technical skills. This module begins a process of the individual questioning how they relate to the world around them whilst introducing the core acting fundamentals that underpin the programme.

Students will engage with the rudiments of music, voice and singing and undertake dance and movement training designed to develop the experiential, expressive and analytical skills of the creative individual. Students will be guided to utilise a journal to document and reflect upon their learning journey. 

The Actor and the Ensemble enables students to explore different methods of telling stories and is the start of the study of ensemble practice on the programme.

In the first teaching block, you will be working as an ensemble exploring storytelling and encountering approaches to devising work, as well as encountering text and choral work through the use of Ancient Greek text.

In the second teaching block, students consider how the actor accesses the dynamic possibilities of a physical and analytical approach to text encouraging the student to explore the performance opportunities presented in Shakespeare’s work.

The third teaching block looks in depth at collaborative devised practice through the lens of site-specific practice, increasing students’ abilities as reflective practitioners. Work is shared with peers as work in progress in a safe practical performance setting. 

This module will engage students in the study of the history, impact and ethos of theatre by focusing on key ideas and approaches that have formed its development. Topics to be studied include, but are not limited to theatre history, theories of performance and exploration of the political, social and ethical response, role, responsibility and impact of theatre in relation to societies.



Year two

This module builds from the programme’s Level 5 modules and is designed to allow students to advance the development of skills and knowledge in a practical professional context, enabling students to learn and discover with autonomy.

Students will engage with a placement either within or beyond the school, this decision to be at their preference. Their placement will enable them to progress their understanding of professional creative contexts. Students will be supported to critically reflect upon their experiences and link these to the work undertaken on the programme through Levels 4 and 5.

This module builds upon the work undertaken at Level 4 and further develops the skill base of the creative practitioner in acting, singing, dance, music, movement and voice, in relation to both self and others.

Across Level 5 students will study practical skills in studio-based group classes and undertake extensive observations of teaching and rehearsal practice within GSA. Students will encounter, explore and research the application and integration of core technical skills through the lens of the facilitator.

This module continues a process of the individual understanding how they relate to the world and those around them through the facilitation of the core acting fundamentals that underpin the programme. Students will engage with the practice and facilitation of music, voice and singing and undertake dance and movement training designed to support the creative processes that sustain rehearsals and performances. Students will be guided to utilise a journal to document and reflect upon their learning journey.

The Ensemble and the Audience offer the student the opportunity to integrate principles and skills encountered from across the programme. Building on the work of The Actor and the Ensemble at Level 4, the student will deepen their relationship to collaboration, artistic autonomy and self-made work by exploring techniques of and taking stimulus from theatre for young audiences in Teaching Block 1 and theatre as change-making in Teaching Block 2 to create ensemble based, self-generated work.

Work is developed via critical reflection of existing practitioners and companies, examining practice through the lens of both creator and audience. The work in progress is shared with peers in a safe and enabling practical performance setting.
Students may wish to engage with the work by taking on a professional creative role required in the facilitation of the collaborative project. 

This module enables students to consider the key roles, processes, principles, skills and techniques required to facilitate creative project management, in a variety of contexts. These may include, but are not limited to schools, small-scale theatre, site-specific theatre, fringe theatre, community groups, professional training, education outreach activities and online learning, across diverse communities.

Through guided and independent case studies, students will explore the component collaborative processes required of the creative projects and begin to understand and critically evaluate their entrepreneurial skills, processes and aspirations in relation to case study practitioners and companies.



Year three

This module aims to maintain the skill base of the creative practitioner in acting, singing, dance, music, movement and voice. Across Level 6 students will utilise the contact time of this module to support and further develop their practical skills in studio-based group classes as best supports their personal development as a creative practitioner according to the student’s individual skill set and projected career aspirations. This module also provides space and support for any technical requirements that arise out of their fully realised performance projects. Students will be guided to utilise a journal to document and reflect upon their learning journey.

This module enables students to work collaboratively on the research, rehearsal and making of theatre for performance to specific audiences, integrating principles and skills from across the programme.

Students engage with three fully realised performance projects, one per Teaching Block, continuing to interrogate the landscape of collaboration, artistic autonomy and self-made work for a specific audience.

In Teaching Block 1 students work collaboratively to create Theatre for Young Audiences and/or Theatre in Education. Rehearsals will be supported at GSA, with performances toured to schools and youth groups as appropriate. Students will undertake creative roles within the process to fully support the project to performance. The project will be supported by mentors from within the GSA faculty.

In Teaching Block 2 students continue to develop the collaborative, technical and professional skills required to support a project to performance through a site-specific Theatre in Society project. Rehearsals will be supported at GSA, with performances toured to community groups as appropriate. Students will undertake creative roles within the process to fully support the project to performance. The project will be supported by mentors from within the GSA faculty.

In Teaching Block 3 students will work on a large-scale production culminating in a public production at a performance space at GSA. This project will be directed by a professional creative.

Students will engage with reflective analysis of their personal and professional development and undertake critical reflection of steps taken so far. Students will identify in detail, potential further personal and professional development opportunities and methods. The module engages students with a range of areas relating to industry practices, protocols and resources in pursuit of developing the necessary skills to undertake and sustain a career within the creative industries.

 

Graduate Prospects

Our graduates have an unrivalled employment record in West End shows, national tours, television, radio and film. Our very distinguished alumni include performers such as:

  • Brenda Blethyn OBE
  • Bill Nighy
  • Ella Balinska
  • Owen Teale
  • Celia Imrie
  • Jonjo O’Neill
  • Alexandra Mardell
  • Kobna Holdbrook-­Smith MBE
  • Danielle Fiamanya
  • Tam Mutu
  • Caroline Sheen
  • Rob Kazinsky
  • Jade Anouka
  • Chris Geere
  • Emma Barton
  • Justin Fletcher MBE
  • T'Nia Miller
  • Stephen Carlile
  • Maiya Quansah-Breed
  • Grace Mouat
  • Bronagh Waugh

Our alumni have also secured employment in numerous regional theatres, opera and ballet companies, arts venues, scenic construction and prop-making companies, corporate events and lighting, sound and video hire companies, as well as attaining management and creative production roles for major venues and production companies including the Really Useful Group, Cameron Mackintosh Ltd, the National Theatre, the BBC, the Royal Albert Hall, Birmingham Symphony Hall, ATG Theatres and PRG Dubai. Other career paths have included teaching and outreach work.

 

Entry requirements

See entry requirements here.

 

Entry is also subject to successful audition. Candidates who can demonstrate exceptional talent, and can satisfy the panel of their ability to complete the programme may also be considered.  

For more audition information please visit AUDITIONS & INTERVIEWS

IELTS minimum overall: 6.5

IELTS minimum by component: 6.0 in Writing and 5.5 in each other element

If you are an international student and you are concerned that your English is not to the required standard, you may benefit from the International Foundation Year, run by the Surrey International Study Centre.

Please note that the University of Surrey offers English language programmes.

 

View a complete listing of all ongoing fees for our undergraduate programmes

The University will assess your fee status. If you are unsure whether you are likely to be considered a home, EU or overseas student for fees purposes, the UKCISA website offers more information.

 

We're committed to making sure that we offer support for students who might need it. Find out more about bursaries and scholarships.

 

Experienced staff in our International Student Office are available to help from the moment you consider studying at the University. We offer professional advice on immigration, visa issues, entry qualifications, pre-departure information, employment regulations and international student welfare.